The grown-ups, the old hands, and the ones who made the campaign possible. The Wanderlight would have fallen without them.

Grandpa Crowther has been fighting the demolition since the first council notice went up — long before the six friends came home from Paris. He wrote letters, filed objections, stood at every parish meeting with the same worn folder of papers, and was voted down every time. When the children joined the campaign, he handed Maya the folder without a word. He doesn't have much voice left, but what he has, he gives to the Wanderlight.
"I was getting tired. Then you lot came home."

Nana Okonkwo has lived in Merhaven all her life. She knows every tide, every path, and every legend the village has ever told — including the ones about the old shipwreck beneath the Wanderlight. When Maya came home from Paris, it was Nana who first said, "The lighthouse has seen worse than a council notice." She doesn't march at the front of campaigns, but the whole village listens when she speaks.
"The sea takes things, and the sea brings them back. Give it time."

Mrs. Okonkwo runs the Salt Pot café by the harbour, where the campaign meetings happened over mugs of hot chocolate and slices of sea-salt flapjack. She kept the back room open late every Thursday so the village could argue, plan, and sign the petition. She worries about Maya — but she's prouder than she'll ever say out loud.
"You can't save a lighthouse on an empty stomach. There's flapjack in the tin."

Old Harkness kept the Wanderlight's lamp lit for forty-one years before the council switched it off. He knows every stair of the tower, every crack in the lantern room glass, and every story the light has told the ships. He walks the cliff path still, slower now, and he taught Finn everything the boy knows about the sea.
"A lighthouse isn't a building. It's a promise the village makes to the dark."

Captain Reed runs Merhaven harbour with a voice like a foghorn and a heart he keeps well hidden. He grumbles about the children "getting in the way" — then quietly loans them his boat, his ropes, and his knowledge of the tides whenever the campaign needs it. He remembers the night the ship went down, and he'd rather not talk about it.
"I'm not helping. I just happen to be going the same direction."

Councillor Pryce chairs the committee that voted to demolish the Wanderlight. She isn't a villain — she sees an old, expensive building the council can't afford to keep. But she hasn't listened to the village, and she hasn't read the old deeds. The tribunal is the first time anyone has made her sit still long enough to hear the other side.
"Sentiment doesn't pay for structural repairs."

Miss Vale runs the little library above the village hall, where the smell of old paper never quite leaves. When Maya needed proof that the Wanderlight belonged to the village and not the council, it was Miss Vale who found the deed — buried in a box marked "miscellaneous" that nobody had opened in sixty years. She believes every question has an answer, if you're patient enough to look.
"Nothing is ever lost. It's only waiting for someone to look properly."

Eleanor Whitfield taught half the village to read, and she remembers the night the ship went down — she was a girl on the cliff with her father when the Wanderlight's lamp failed. At the tribunal, she was the witness who made the committee sit in silence: she spoke for ten minutes without notes, and when she finished, even Councillor Pryce didn't argue. The deed, she said, was a promise. And a promise is a promise.
"I was seven years old and I watched the light go out. I am not going to watch it happen again."